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Friedheim AV Call numbers
The Arthur Friedheim Library's Sound Recording Classification was devised by David Sommerfield, AV Librarian, 1970-1976.
Music classifications are geared to the user as performer who needs quick access to the printed music for his instrument or ensemble. Hence, printed music is classified by medium. In academic libraries sound recordings are used differently from printed music: the listener almost always is looking for a specific work. Therefore, the present scheme is designed for treating the material like literature with the authors (composers) as the first classifying element.
The sub-class outlined in the following schedule is overall in the order of the Library of Congress Class M Schedule with fewer numbers. This was accomplished by
- a slight broadening of the class in some areas
- the deletion of numbers for arrangements and piano vocal scores, and
- eliminating most numbers for collections.
Arrangements are handled in two ways:
- if composer-generated, the work is treated as original; and
- if not, it is shelved after the original with an "a" usually affixed to the element for the piece in the call number.
Composers are arranged alphabetically in a list from A2-Z. Each composer is assigned a letter and a number which together work as an alphanumeric decimal number. Thus A44 comes before A5 but after A418. For example
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B4 Beethoven
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B43 Bellini
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B444 Benda
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B45 Benjamin, Arthur
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B452 Benjamin, Thomas
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B46 Berg
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B5 Berlioz
Numbers beginning with A1 are reserved for miscellaneous collections and anthologies of music.
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B4.010 Piano music
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B4.050 Sonatas, violin & piano
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B4.145 String quartets
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B4.211 Symphonies
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B4.805 Masses
Note also that the extension at the end of an AV call number can tell what kind of material the recording is. If there is no extension, the recording is a long playing record; VC means a video cassette recording; CD, CD-ROM, DVD are all self-explanatory.




